Thursday, 29 October 2026

Back to a couple more book reviews.

 



Napoleon’s Conscripts: Conscription and the French Army, 1798–1815 by Graeme Callister (No. 174 in Helion’s From Reason to Revolution series) tackles one of the most vital, yet frequently misunderstood, engines of the Napoleonic Wars: the recruitment and mobilization of ordinary French citizens. While history often fixates on tactical geniuses and grand cavalry charges, Callister centres his narrative on the millions of everyday men who actually filled the ranks of the Grande Armée. 

Rather than leaning into pure praise or romanticized military myths, the book offers a balanced, objective, and grounded look at how the conscription system really operated on paper versus how it played out in practice. 

For me the key messages include the concept of what is termed the ‘Engine of Empire’. Systematic conscription (established in 1798) was not just a wartime measure, it was the bedrock of Napoleon’s militarised state. It supplied the sheer human power that enabled French expansion from Lisbon to Moscow. The book also highlights that conscription was a constant tug-of-war between state authority and local resistance. Draft evasion (réfractaires), desertion, and community pushback were widespread from the outset, but the state steadily refined its bureaucratic and coercive tools to enforce compliance over time. Then we get the human journey. Callister effectively follows the conscript’s life cycle, from the initial ballot draw and medical exemptions to marching off to military depots, undergoing basic training, and integrating into active units. There is also an interesting analysis of promotion prospects. 

 There is also an interesting point regarding institutional reality over romantic myth. By analysing individual service records and institutional data alongside traditional sources, the author shows that the Grande Armée wasn't simply an army of eager volunteers or seasoned veterans; it was overwhelmingly built on reluctant, ordinary men forced into extraordinary circumstances who gradually learned to survive and fight. 

Callister strikes a great balance. The book is thoroughly researched and objective in its analysis, yet accessible enough for any general history enthusiast. If you want to understand how France managed to fight nearly two decades of continuous warfare, and what it actually cost French society on a human level, Napoleon’s Conscripts provides a clear, nuanced, and essential look behind the front lines.  

ISBN: 978-1-804516-75-1 243 PAGES Hardback. 

 

Moving on, we have this fantastic book. When most of us, and certainly me, picture the British Army during the French Revolutionary and Napoleonic Wars, we imagine battle-hardened redcoats in the Peninsula or standing firm at Waterloo. Owen W. H. Davis takes the reader somewhere far less familiar. In Boys in Red Coats: The Boy Battalions of the British Army 1797–1815, No. 173 in Helion’s From Reason to Revolution series, he explores the Army’s remarkable experiment with recruiting and training boys for future service

It is an unusual subject, but I believe it is an important one. Davis shows how these battalions emerged from a serious manpower problem and explains what they reveal about recruitment, military education and the machinery behind Britain’s war effort. With the Army competing against both the militia and the Royal Navy for adult recruits, bringing teenagers to the colours offered the authorities a longer-term solution to take them in young, train them carefully and build a dependable pool of career soldiers.

For me, one of the real strengths of the book is the way it gives a vivid insight into daily life inside the boy battalions. These recruits were not simply handed muskets and rushed into combat. Their routine combined physical development, basic education and military drill, all intended to prepare them for adult service.

Davis also keeps the story firmly rooted in the late eighteenth and early nineteenth centuries. He deals honestly with youth recruitment, strict discipline and uncertain prospects, but avoids both romanticising the system and judging it only by modern standards. That balance gives the study much of its value. Even more importantly, the experiment was much more than a one based historical curiosity. Many former boy soldiers went on to become reliable regulars and non-commissioned officers in line regiments. By tracing that progression, Davis demonstrates how the battalions supplied the army with trained, experienced men during the French Revolutionary and Napoleonic Wars, not only in Europe but seeing action in places as far afield as South Africa and India. The narrative is supported by a good number of black and white images (28 if I added them up correctly), four maps, seven tables and five graphs. 

I loved this book. I believe Boys in Red Coats succeeds because it looks beyond celebrated generals and famous battles to examine the system that supplied the army with trained soldiers. Davis has produced an accessible, balanced and genuinely illuminating study of a little-known institution. For Napoleonic history enthusiasts, military history bloggers and wargamers looking for something different, this is a book I can easily and wholeheartedly  recommend.

ISBN: 9781806722617 184 Pages Paperback


My next post should be more newly-finished minis. Thanks for following this blog.

Tuesday, 27 October 2026

Baden Garde du Corps

 



This is my final unit for my Grand Duchy of Baden contingent, the Garde du Corps. These are metal Piano Miniatures, and they are excellent. I doubt they were ever in action but they will be at some point in my wargaming world - they’re too good looking to ignore.Barry painted these for me and I did the bases.

Monday, 26 October 2026

More Brazilians

My final unit of Alliance cavalry is this Brazilian regiment which could be either regulars or National Guard. 

Being Brazilian they are in as close to a thin vertical column as I can manage. 


I have one more battalion of Brazilian infantry to do, then that’s the lot for the Alliance. Well, maybe apart from a few tabletop fripperies.


Sunday, 25 October 2026

An Italian Wars Oddity Perhaps....? A Blast from the Past!

 Many, many years ago, by which I mean 30 or so, I had a Games Workshop Dogs of War army. I'm not ashamed to admit to this any more than I would be ashamed to say if I was an addict of some sort. I had all the available units and single figures but they are now long gone, having sold them for an impressive sum, at least for the early 1990s.

This is the only figure I have remaining, discovered in a box of bits and pieces. It is the Lucretia Belladonna character miniature. I painted her last week and she will now join my Italian Wars armies as a female character (maybe Lucretia Borgia or Catarina Sforza). I am quite pleased with how she has turned out, especially as all bar the face (and boobs) were done with paint pens.

Napoleonic bits

 Not much to report. I’ve got some Bavarian light infantry doing skirmish-type stuff. These are Piano Miniatures 3d resin prints. 



Next we have Saxe-something-or-other riflemen who were attached to the Prussian army in 1806. They were only a small unit of perhaps company size but I’ve done a full battalion ‘cos I can. These are from a German firm whose name escapes me. IIRC I bought them at a pre-Brexit Crisis show in Antwerp. 

That's all for now.

Sunday, 18 October 2026

Two new Bob Marion originals



 Two more wonderful examples of the late Bob Marrion’s work just back from the picture framers. I acquired quite a few (maybe 20) to add to my collection for about £5 each. A bargain. All I need now is enough wall space to display them. I particularly like the triptych of French Imperial Guard Sappeurs (I think?) and the other shows all the different contingents that made up one of the Confederation of the Rhine regiments.. 

More to follow…..

Monday, 12 October 2026

More North Star 1672 Personalities - Wot I Did Instead of t’Other Partizan.

I managed to finish these personalities over the weekend. I’m quite happy with them and again much of the work was done with paint pens rather than a brush. 

This is the Great Conde on foot, accompanied by D’Artagnon.

The real d’Artagnon.

Conde again, on his horse.
William of Orange.


D’Artagnon again.

 These photos remain awful as I need to get a new phone - my excuse but the lens seems to be stuck in ‘permanent fuzzy’. What is about workmen and tools? They look much better in the flesh so to speak.

And yes, I didn’t make the Other Partizan on Sunday as there was no chance I would survive two hours each way in the car and several more of circling around the exhibition hall as my back, though improved, is still buggered. 😢